Love, Loss, and What I Wore - WikipediaThis inspired me to write down my own history of fashion and it turned out to be more interesting than I ever imagined, at least to me. Ilene Beckerman charted her own course of fashion over five Yesterday I heard a speech by Delia Ephron. In the evening, I saw the play and bought the Ilene Beckerman was nearly sixty when she began her writing career.
Love, Loss & What I Wore
Gina Gambony has a great talent for comedy. Average rating 4. The Villager. Unsettling and oddly powerful.Archived from the original on March 26, so of course it gets a 5 star whaf. Isherwood has noted that this serves a female audience? It reminded me a lot of my mother's accounts of her life; she lived in a time like the author where most of your clothes were made for you and therefore they are more memorable than clothes off the rack.
At the University of Nebraska I learned how to make a muslin pattern so I could make my own designs that would fit me perfectly. View 2 comments. My sister, was a Girl Scout and looked after me at camp. It changed the way I honor the memories of my dresses.
It is organized as a series of monologues and uses a rotating cast of five principal women. The subject matter of the monologues includes women's relationships and wardrobes and at times the interaction of the two, using the female wardrobe as a time capsule of a woman's life. Later the same year, the show was produced Off-Broadway as an ongoing commercial theatrical production at the Westside Theatre in New York, where it continues to run as the second-longest running show in the theatre's history.
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Read More From Ilene Beckerman
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Books by Ilene Beckerman. Languages Add links. Open Preview See a Problem. At one point, she solves the probl.
By Nora and Delia Ephron. The stage resembles the set of Vagina Monologues , but this is deceptive. This is not Vagina Monologues times five, rather it is far more innocent and far less insightful and revolutionary. This journey revisits the transition from girlhood to maturity with stops for such moments as fitting the first bra, getting ready for the prom, wedding dress panic and the universal struggle to accessorize. What is neat about the play is the variety — tall and short women, thin and fat women, white and black — each with her own plusses and minuses, yet all sharing recognized moments and concerns. Kudos to a fine cast where the actors swiftly and professionally interchange their shifting roles. To add variety and interest, one artistic character accompanies her monologues with drawings enlarged and depicted on a back screen — adding a neat, whimsical cartoon touch.
I remembered all the outfits my former mother-in-law sent me. Looking forward to some more Ephron works showing up at the library in future days. Los Angeles Times. If you have a chance to see the play, do so.
Not a great choice to read on an e-book. Details if other :. Get A Copy! Yesterday I heard a speech by Delia Ephron.